By Dr Selwyn R. Cudjoe
August 23, 2021
PART 2
EL TUCUCHE can be made the symbol of our greatest achievements—it is graced with the sovereignty that represents our transcendent power over Douendom where we are still held in disarray and ignorance. Above all, is Aripo, symbolically, the Eye am that Eye am, the one God in whose house there are many mansions, and to which many are the paths!
—LeRoy Clarke, Parables of Our Joyless Days
In the 1950s a modern phase of T&T’s artistic development revealed itself in the paintings of M. P. Alladin, Geoffrey and Boscoe Holder, Leo Basso, Alfred Codallo, and Carlisle Chang. In “Painting in Trinidad and Tobago,” Pat Bishop declared: “These painters were not merely taking the brave step of painting in black face but were also prepared to participate in the modification or destruction of traditional image making.”
Continue reading The Passing of the Pointer Man